The excitement surrounding the Spring/Summer 2011 shows was palpable and the season’s work turned out to be far more ambitious and adventurous than those that had come before.
This season is Fall/Winter 2011,but one day we’ll let next season start before we began looking beyond it.We’re already looking beyond it to Spring/Summer 2011.We glad to present you the latest trends in fashion industry,latest collections and all about fashion of season 2011.The Versace Theatre in the Piazza Vetra had been laid to grass like a playground,decorated with swings,a slide,a roundabout and a climbing frame.
The collection was a fun and funky riff on Kane’s own Glaswegian roots,mixed with the body-con silhouette versus the flirty,short skirt theme he has made a signature at London Fashion Week.
Clashing plaids in yellow/red and blue/red encased the body in skinny trouser suits, or in tightly-wrapped, over-the-knee dresses, or spilt out in short, godet-mini skirts, with bra-tops. The clash of the tartans went further, when blue and yellow miniature floral prints were added to the mix, as in an off-the-shoulder wrap or waist basque on a curvy, fitted dress, or were used to fill in the godets on swingy little skirts, with apron details, and strapless bodices, with a stretch-mesh and plaid cardigan over the shoulders.
Several key trends stood out amongst the S/S11 shows. The first of these was a clever new take on colour blocking, where the main base colour of choice was tan and nude or for others (such as Nicole Farhi) midnight blues and sea greens. These base colours were then accented with neon hues, which, when done successfully, produced striking effects.
Many designers seemed to be using lime, a staple colour carried forward from last spring-summer, in addition to the colour of the season, canary yellow. Christopher Kane took the neon trend even further, using laser-cut leather to jazz up his neon outfits. Others such as Maria Grachvogel and Emilio de la Morena showed infinitely more wearable ways of following the trend, Grachvogel with a canary yellow silk top tucked into nude, high waisted trousers and de la Morena by using triangular patchwork like colour flashes.
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